Sometimes Lonely Isn't Sad

It's near year end here at The Cuddle and a time to reflect on all of the bountiful pleasures that 2010 has  brought us.  It's a time to be thankful for all that we have and look forward to all that is yet to come.  Today, we kick off the Ideological Cuddle Top Ten Albums of 2010 countdown with the two albums that didn't quite crack the top 10 (but were very noteworthy none-the-less), the top re-issue(s) of the year, the biggest disappointment of the year, our favorite concerts of the year, and some notable bands that may not have released a new album this year, but rose to the top of our play lists time and time again.
Without further ado...

The Biggest Disappointment of 2010 - The Hold Steady's Heaven Is Whenever

Now, by no means do I think that this is a bad album, per se.  It's just such a colossal disappointment.  Coming off of 2008's triumphant and epic Stay Positive, the Hold Steady were on quite a roll.  They had risen to the forefront of indie rock, had websites, print journalists, and fans drooling over their trademark mix of boozy bar rock and literate lyrics.  Then they felt it necessary to go in a "different direction".
(A quick aside... Is it ever really necessary for a band who does what they do well to "reinvent themselves"?  It's such an overrated, bullshit move, and it's usually pushed by the media - "such and such is in such a rut, they need to reinvent themselves" - B-U-L-L-S-H-I-T.  Bands who are good at one thing should stick with that one thing.  There are only so many Elvis Costellos and David Bowies who can create new sounds with each subsequent album and dip their toes in different genres without sounding completely idiotic.  The Hold Steady should have heeded this.  Ok, now I'm done... back to your regularly scheduled blog post...)
So that different direction is Heaven Is Whenever.  There are a  few gems on this record ("Hurricane J", "The Sweet Part of The City", and "We Can Get Together"), but there are plenty of clunkers ("Soft In The Center"?  "Barely Breathing"? - P.S., don't write songs that remind people of Duncan Sheik - "Rock Problems"?  Yeah, there are problems here).  I hate to say it, but this band REALLY misses Franz Nicolay.  Maybe the magic will return with their next record.  We here at The Cuddle can only hope so, since we love this band and all of its previous albums.

Bands That We Came To Love In 2010 (But Should Have Loved Before) :
Pavement
This is a no-brainer.  No band was on our iPod, computer, CD player, turntable more this year than Pavement.  It's fitting that Pavement made a triumphant return to playing live this year as well (I didn't have the pleasure of seeing them in person, but nyctaper's recordings of their shows made me feel like I was there).  I know that I didn't want to jump on the bandwagon because I thought that there was no way a band could live up to all of the indie hipster hype.  I know now that they do.  They really, really do.  I was wrong and I wholeheartedly admit it.  It all started with the career retrospective Quarantine The Past in March.  By the start of December, I owned every one of their full length albums in some shape or form.  Theirs is a catalogue that I cherish and listen to almost every day.

Teenage Fanclub
OK, I had heard of this band in the past, but had never made an effort to seek out their music until hearing about their 2010 release, Shadows.  It was all down the rabbit hole from there.  Their sound is right in my wheelhouse - jangly guitar pop, catchy as hell, sugary sweet harmonies.  You'll be hearing more about them in the days to come.

The Top 3 Concerts of 2010 :
3. My Morning Jacket - CMAC, Canandiagua, NY - August 28, 2010 - Our second time seeing My Morning Jacket was kind of a birthday performance celebration for us, as Mrs. Cuddle and I had celebrated my 33rd bday the day prior.  The New Pornographers opened the show in fantastic fashion (even in the absence of Neko Case) and Jim James and crew absolutely tore the roof off.  There is no band working today who can match the playing chops of My Morning Jacket and this show proved it.

2. The Black Crowes - Tower Theater, Philadelphia, PA - October 29, 2010 - Mrs. Cuddle and I based an entire weekend in Philadelphia around this concert in celebration of our anniversary.  With this tour being billed as their farewell, there was no way that we were going to miss one of our favorite bands for what could be the last time.  They did not disappoint.  Starting with an acoustic set and closing with a marathon electric set, for 3 hours the Crowes reminded the faithful why they're so beloved.  Their encore seemed hand-picked for Mrs. Cuddle and I - our all-time favorite Crowes song, "Feathers", followed by Mrs. Cuddle's recent favorite, "I Ain't Hiding".  All of the Crowes' shows are available for download (for a nominal fee) from the Crowes' live music site.  I highly recommend this show.  Here's a taste:
The Black Crowes - Tower Theater, Philadelphia, PA - 10/29/10 - "Hotel Illness" (Acoustic)

1. Robyn Hitchcock - The Drake Hotel, Toronto, Ontario, Canada - June 12, 2010 - I already waxed poetic about this show (and showed off the BFF's nifty camera work) on this previous post.  I still can't wrap my brain around the fact that I was able to see one of my favorite artists in such an intimate, acoustic setting.  Hitchcock was perfect from the first notes of "Cynthia Mask" to the final strains of a gorgeous cover of The Grateful Dead's "Candyman".  I can't really say much more than what I've said already.  It was just plain perfect.

The Best Re-Issues of 2010 - The Soft Boys' Can of Bees and Underwater Moonlight
I like to think of The Soft Boys' first two records as "Proto-Hitchcock".  While they contain the essential elements that would make Robyn Hitchcock such a singular and original songwriter, their sound was much more hard-edged and driving.  These records tend to rawk more than Hitchcock records.  Yep Roc's reissues came with download codes giving the buyer a plethora of outtakes, demos, and live versions, making each of the albums great values for the money.  Can of Bees is the lesser known of the two, but is by no means inferior.  It takes true balls (or insanity) to start a debut record with the lyrical couplet "I feel like asking a tree for an autograph/I feel like making love to a photograph", but The Soft Boys do it.  Standouts like "Leppo and The Jooves", "Sandra's Having Her Brain Out", and "The Pigworker" stand with Hitchcock's finest compositions (and are bat-shit crazy, to boot).  Underwater Moonlight gets more of the publicity as a touchstone in the indie rock canon and a favorite of many of indie/college rock's favorite progenitors (such as Peter Buck from R.E.M.).  "I Wanna Destroy You" is a stone-cold classic (and has been covered by the likes of Uncle Tupelo and The Goo Goo Dolls), "Queen of Eyes" is my favorite Soft Boys song (and has continued to persist in Hitchcock's sets to this day), and "Underwater Moonlight" might be the catchiest (and ONLY) song about couples suicide ever written.  Check out a taste of Hitchcock's madness:
The Soft Boys - "The Pigworker" - Can of Bees
The Soft Boys - "Queen of Eyes" - Underwater Moonlight

The Best Albums of 2010 - Honorable Mention :
She & Him - Volume Two - More gorgeousness from M. Ward and Zooey Deschanel, following 2008's Volume One.  Ward and Deschanel managed to pen a timeless single - "Thieves" - which made me recall Papa Cuddle's Roy Orbison records, and was easily one of the 5 best songs I heard all year.  Let's be honest, Zooey could just sing the phonebook and I would rave about it.  There's no such thing as too much Zooey.
Grinderman - Grinderman 2 - As with my comment regarding Ms. Deschanel, there's no such thing as too much Nick Cave (although, sometimes he needs to be taken in small doses).  Grinderman's second record is just as over the top as their first (although it contains nothing as ballsy as "No Pussy Blues").  Grinderman tends to be Nick Cave's id - dirty, debaucherous, lecherous, filthy, funny.  "Heathen Child", "Worm Tamer" (yes, this song is about his woman's prowess with, um... well, you know... and yes, it includes the classic lines, "my baby calls me the Loch Ness Monster/Two great big humps and I'm gone").  It's well worth checking out.

We'll return with the "official" start of our Top 10 countdown in the next few days.  Until then, remember all the great things about the past year, and listen.

Another Song, Another Mile

A good Sunday evening to everyone out there.  It was quite the eventful weekend here in Ideological Cuddle land, as it was packed wall-to-wall with concerts, sporting events, dinners, even reunions with old friends (glad to have you back, Big Sexy).  Tonight's post is the next in the Cuddle's series of Top 5s and involves some great music and one of our favorite movies.

The Ideological Cuddle Top Five:
     Songs That Should Have Been In Almost Famous
                   (But Would Have Been Anachronistic If They Were)

1. The Black Crowes - "Wiser Time" (Live on VH1 Unplugged, 2008) - This one is easy.  The best "travelling band, being on the road" song of the past 20 years, the Crowes write what they know.  It's easy to see a little bit of the Crowes in the fictitious Stillwater from the movie (especially since Jason Lee seems to channel his inner Chris Robinson throughout the film - in look and demeanor).  I could easily see this tune replacing "Tiny Dancer" in the scene on the bus after Russell takes a bit too much acid at a party in Kansas.  Might not have the sing along power of Elton John's smash hit, but would hammer home the stresses of being in a band, travelling across the country with your best friends who so easily can become enemies.  The acoustic version above highlights the guitar breakdown in the center of the song - the perfect section for the scene mentioned.

2. My Morning Jacket - "Golden" - Another travelling song, this one's not so specific to the band, but still highlights the loneliness of the road.  Jim James' haunting voice propels the song on beautiful acoustic guitar/slide guitar lines.  I can picture Russell, again on the bus, strumming this song to himself as the rest of the band listens in.

3. Wilco - "Monday" - I can picture Jeff Tweedy and the rag-tag group of musicians who have made up Wilco over the years starring in an Almost Famous-type film.  In effect, they've already documented their quasi-demise and subsequent rise in their excellent documentary, I Am Trying To Break Your Heart.  Any music fan, especially those who love Wilco owe it to themselves to check it out.  This song, off of Being There, is a rollicking throwback of a song, documenting life on the run.

4. Blitzen Trapper - "Stolen Shoes and A Rifle" - Total 1970s country-rock throwback.  There's no other way to describe this standout track from Blitzen Trapper's breakthrough Furr record.  Play it for the uninitiated and they'll swear it was written and released sometime in the early 70s.  Maybe not the perfect song for Stillwater to play in the movie, but something that its lead singer, Jeff Bebe would be found listening to.  Lazy vibe, vintage sounds.

5. Drive-By Truckers - "Outfit" (Live and acoustic at Cooley's House, 12/29/03) - OK, this one is almost too perfect.  A definite masterpiece in the Trucker's canon, Jason Isbell's song of fatherly warning is cautionary, yet encouraging.  A father sings to his rock front-man son, telling him not to fuck up the gifts that he's been given.  "Do you want to grow up to paint houses like me?  A trailer in your yard 'till you're 23?  Do you want to feel old after 42 years?  Keep droppin' the hammer and grindin' the gears."  Daddy sets it out nice and plain, while encouraging his son - "Don't sing with a fake British accent, a Southern man tells better jokes" and "Have fun and steer clear of the needle".  One could imagine Russell or Jeff's father singing this to them on the phone after calling home during a bender.

If any of you out there haven't seen Almost Famous, do yourself a favor and go out and grab a copy now.  It's likely the greatest love note to rock and roll that the silver screen has/will ever seen.  Grab a copy, look, and listen.

I Got A Head Full of Sermons and A Mouth Full of Spiders

Greetings, dear readers.  Today, a glimpse into one of the world's hardest working and least appreciated bands.  For 20 years now (with a couple of hiatuses mixed in), The Black Crowes have been criss-crossing the globe bringing their own brand of dirty rock and roll to the converted masses.  Functioning like a modern-day biblical fable, the rambling, shambling crew that has comprised the Crowes lineup over the years has always been helmed by the brothers Robinson - Chris and Rich.  They fight, they make up, they write, they fight again... and so it's gone for twenty plus years.
To many, the Black Crowes will always be that band that covered Otis Redding, got famous, opened for a bunch of big rock stars, got thrown off more than one tour, wrote "She Talks To Angels", put out a couple more albums, copped the Stones' 70s sound, and disappeared into anonymity.  This couldn't be further from the truth.  Although many mainstream music fans would like to assume that the Crowes disappeared, they clearly have not.  They boast a fan base as committed to their live experience as the most fervent deadheads.
The Black Crowes came screaming out of Georgia in the late 80s boasting a sound that was quite passe at the time (rock 'n roll throwbacks to the previous decade) and made it their own calling card.  Those of us lucky enough to see them live in concert on multiple occasions were never disappointed - they always brought their best, night after night.  As a bonus, they're a taper-friendly band and recordings of shows circulate widely (lately, the band has taken to recording and releasing all of their shows themselves, a la Pearl Jam).
The back-to-back punches of Southern Harmony and Musical Companion and Amorica in the first half of the 90s might be the finest that the decade has to offer in the rock field.  The songs have aged tremendously well and sound like they could have come from any of the past 4 decades.  "Wiser Time" wins the award for "Song Most Likely to Have Been Included in The Soundtrack for Almost Famous Had It Been Written in the 1970s".  Substance driven?  Sure.  But if it leads to art this good?  What the hell...
The Buffalo area has been lucky enough to host some of the band's most transcendental moments - their Spring 1995 Amorica Tour show at Shea's in downtown Buffalo, the band willing a thunderstorm through Darien Center at their July, 1997 Further Festival headlining slot (their version of the legendary B-side "Feathers" followed by the Exile On Main Street classic "Torn & Frayed" that night is not to be missed), the band's triumphant reunion tour as it burned through the Kool Haus in Toronto in 2005, the packed house at The Town Ballroom in 2008 as the Crowes preached the gospel, and the emergence of "I Ain't Hiding" - what can only be called disco-Crowes - at the Harbor concert series last summer.
The stage has been set for a final "farewell" this fall - "Say Goodbye To The Bad Guys" with The Black Crowes is being billed as the bands last hurrah.  The faithful has heard this one before, and the boys always seem to make it back.  This time, it feels like it could be the real thing - none of the members are getting any younger, Chris Robinson has his hands in production (he produced Gary Louris' excellent solo record, Vagabonds, among others) and guests on many records, and Luther Dickinson seems primed to head back to The North Mississippi All-Stars with his brother.  Whatever happens, we, the faithful, have years of recorded concerts to pour over and reminisce with... Here's just a taste...and each is taken from a bootleg source...

The Black Crowes - Live In Concert (sorry... don't remember where each of these are from...)
"Remedy"
"Wiser Time" - The Town Ballroom, Buffalo, NY 2008
"Dreams" (Allman Brothers cover)
"High Head Blues"
"Midnight From the Inside Out"
"Movin' On Down The Line" - The Town Ballroom, Buffalo, NY 2008
"Wounded Bird" - The Town Ballroom, Buffalo, NY 2008
"Black Moon Creeping"

Until next time, raise a glass to the hardest working band in Rock 'N Roll, The Black Crowes, and listen...